Mevio Music

Every Wed. here at MEVIO we have indie music artists stop by the studios here and perform acoustic for us. We’ve had artists who are on tour stop in occasionally for an interview or an impromptu acoustic performance. Among the artists who’ve stopped by include Jason Shannon, Jet Lag Gemini, Geoff Smith, The Lonely H and many others. Then we got this bright idea to bring in some local talent and make a show of it. If you are a fan of MTV Unplugged, check this show out. You might like it!

Today’s Artist is Weather Pending

BIO

On their first album, And How! , the San Francisco trio known as Weather Pending creates deep, sultry, continuously unfolding music with a sound that’s vaguely familiar and surprisingly unique, a fever dream of exquisite beauty. The band’s sinuous electronic grooves and
the smokey vocals of singer Janie Oliver draw you in, enticing you
with their understated charm. Bass player and producer Rob Cross
accompanies Oliver’s luminous vocals with the dark, melancholy rhythms
of hip hop and dub reggae, profound tones that swirl and dance with
the elemental force of a restless ocean while guitarist Brian Bloi’s
chords color with shimmering overtones that emote with aching
melodies. The album’s ten sultry songs have a cinematic, one drop, hip
hop flavor driven by the subliminal swing enhanced by guest drummers
Max MacVeety (Crown City Rockers, Zion I) and Derek G. Taylor (Nino
Moschella, Alice Russell, Hyim, Darondo). “We all come from different
backgrounds,” Oliver says. “I’m influenced by the theater, studied
classical music, and sang a lot of jazz. Rob is a great producer and
loves dub, reggae and hip hop. Brian’s lived in Nashville, Miami, and
France. He’s a musical gypsy with a cinematic approach to guitar.
We’re trying to avoid formulas and let the music unfold with an
honest, uplifting message.”

And How! is a group effort, a mix of home recordings and studio work,
assembled by Cross at Broken Radio Studios in San Francisco. It was
recorded live to two inch analog tape on a Studer tape machine, with
overdubs done at Cross’s home studio. MacVeety and Taylor, though
recorded at different times play simultaneously on almost every track,
giving the music a sense of swing most electronic music lacks.
“Complicated Two,” the first song the trio ever worked up together,
opens the album with Oliver’s lulling vocal suggesting the simmering
ache of a broken heart. Bloi taps out thick, harmonic overtones on the
guitar and embroiders the melodic line with sparse notes that recall
the sound of a Fender Rhodes piano. Oliver interpolates a quote from
“You Are My Sunshine” into her closing improvisation, adding an ironic
element to the song’s message of loss and regret. “Pieces” is another
song of yearning, with a restrained backbeat and an expansive, oceanic
rhythm. The live drummers float through the mix blending with an
electronic drum loop. Cross’s bass and Bloi’s muted guitar create an
ambient, but solid groove. The bubbling, reggae-like pulse of “Tide”
makes it one of the album’s most ebullient tunes, blending elements of
soul, pop and jazz. Oliver’s stirring vocal, an uplifting chorus,
sizzling cymbal accents and Bloi’s sparkling guitar work give it the
feel of a classic Quiet Storm track. “Sunlight Fair” is a hip hop
samba with an affecting multi-tracked vocal, sustained single note
swells, like that of a steel guitar from Bloi that suggest crying and
Cross’s swooping bass lines. “Her Thoughts To Me,” the album’s most
funky track, is a surrealistic blues that muses on the oddness of
urban life. Rob’s brief almost Buddhist rap captures the grim
suffering poetry of the homeless, as Bloi plays a guitar line that
sounds like a mad calliope at a broken down sideshow. Bloi created the
odd, dissonant background noise by letting his cell phone feedback
through the pick up on his guitar. The album also includes “Timeless,”
a 60′s flavored R&B tune with a ghostly siren-like vocal from Oliver
and a sleepy guitar line that floats between Brazil and Andalusia,
“Another Day,” which features Oliver’s bright scatting and Bloi’s
lyrical steel stringed acoustic riding a hip hop rhythm, and
“Electricity,” full of swelling, reverb drenched guitar work, spacey,
dub heavy drum beats and another delicate vocal from Oliver.

Everyone in Weather Pending writes, both alone and in collaboration
with their band mates, which accounts for the wide range of musical
ideas that color the arrangements. With the live drummers adding their
individual soul, R&B, and hip hop grooves, the music continually moves
in new directions, driven by unexpected percussive accents. Weather
Pending’s blend of live music with Cross’s subtle studio polish
creates music with exceptional warmth and a quiet intensity that
brings some much needed verve to electronic music.

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